
- 4.5
- 538
- 360
- 0
- Aug 5
- I don't want to be an elf!I Don’t Want You To Be Responsible!I don't want to be sick anymoreI don't want to returni don't want to be emperorHelp, I don't want to farmI Don't Want to Be the Chief BiographyI don't want to be the heroI don't want you to harm meI don't want to be an omegaSuddenly I don't want to be a fairy
Synopsis
Rihannan Alessin, a former queen who perished in despair, is granted a second chance at life by a deity. Now twelve years old, she determines to rewrite her tragic fate. Six years later, she enters a strategic, one-year marriage of convenience with Arundell to secure her position. This reads like a classic regressor romance, blending tropes common in Josei revenge fantasies and royal dramas. It is ideal for readers who enjoy slow-burn romance, themes of redemption, and political maneuvering in a fantasy setting. Those who dislike contract-marriage clichés or heavy tragedy should skip it. With over 300 chapters, the story offers a steady build-up of emotional tension and character development. The standout quality is the internal conflict between the protagonist's past trauma and her growing affection for a husband who seems different in this timeline.
📚 Chapters (360 total)
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Editorial Review
The narrative provides a substantial amount of content with 318 chapters, allowing for a deep dive into the protagonist's psychological journey from a broken queen to a calculating survivor. The blend of fantasy and tragedy creates a high-stakes atmosphere that keeps the emotional investment high. However, there is a significant contradiction in the metadata; while the plot focuses on a female lead, the genre tags list BL and Yaoi, which is jarring and misleading for the target audience. Additionally, the conflict between the ongoing status and the description's claim of completion suggests some inconsistency in the editorial management. Despite these technical flaws, the core story is a competent execution of the regression subgenre, though it relies heavily on established tropes rather than innovating the form.












